Welcome to our Website.

NEWS: our SHOP is open for inquiries regarding >HISTORIC SOCIALISMUS and inquiries in >THEOLOGY >>SPIRITUALITY. Soon it will be open for inquiries in >THEOLOGY >>RELIGION, other subjects will follow. Of course, just send us your questions beforehand.

Please excuse typing errors, we’ll continue to eliminate them.

What can you expect from us?    

In our unique collections you could discover Fiction and Non-Fiction texts / titles, originally created during nine Centuries from the 12^th Century through the early 20^th Century. All contents were published from the 16^th Century until the early 20^th Century. Most of these thousands of ‘physical’ works were compiled and preserved in privately owned Libraries and collections (without public access to these works at these locations), from which were sourced the contents in our non-print media. 

Our thematic collections – such as Proletarische Frauenbewegung – were sourced from 28 different Libraries or Archives in Europe. The Fine Art-collections were compiled and sourced under Art Historian criteria. 

In other words, the original ‘physical’ contents were transferred to non-print media containing valuable (often rare) contents which are on offer as non-print media.

Which AUTHORS & ARTISTS can you expect?

Author names and subjects were checked by Academics to identify approx. 6,200 authors* (f/m). 

In Historic Socialism and in Literature you can not expect that many classical writers, they are available elsewhere. However, for both Subjects, you can expect many unknown authors (f/m), also included in Pamphlets etc. 

Furthermore, we offer approx. 2,300* anonymously written titles**. We don’t have knowledge about these anon. writers and/or these contents. Meaning, such anon. titles opens research opportunities to ‘unmask’ the authorships and/or contents. And to find reasons why originally such works were ‘distributed’ or even published anonymously.

A similar situation appears with several hundred writers’ names and its contents which are ‘hidden’ in our Anthologies or Periodicals. A total of 215 Periodicals (Fictions & Non-Fictions) includes  texts with approx.120,000* pages, also inviting to discover/‘unmask’ such individual authorship with its contents in these 215 Periodicals.

Our Fine Art-data contains art historian data and images from approx. 4,300* paintings/drawings. The ‘physical’ artworks (oil, aquarelle, drawing etc.) were created  from about 215* Artists (f/m) in Europe during the 16th to the 19th Centuries.

Which SUBJECTS can you expect in our collections?

Theology, structured into Spirituality (by subjects organised into four sets / five genres), and into Religion (by subjects organised into nine sets / genres such as Mystic, Aszese, Dogmatic, Liturgy, Sermons etc.)

Predecessors of Austrian Psychology

Literature in English, French, German Languages

Historic Socialism 

Political History

Fine Art – Paintings, drawings from European Artists

Which MEDIA can you expect with our contents?

Originally, our Text contents were created during nine Centuries (12th – early 20th Centuries). Our non-print media with such textual contents are in approx. 8,000,000* pages, sourced from approx. 40,000* ‘physical’ textual works in English, French, German Languages, some works are in Latin Language. 

Originally, the content data about Fine Arts in Europe were created during four Centuries (16^th – 19^th Centuries).

In Libraries, Archives, Museums, Private Locations – where artefacts and documents were collected, used and preserved – the passage of time becomes tangible. Each curated and preserved item holds a unique imprint of the era it originates from, inviting us to ponder the connections between individual experience and the broader movements in history.

Such items and such collections with its contents often reveal intricate stories of innovation, transformation and changes, reflecting shifting tides of knowledge, religion, culture, politics and societies across Centuries.

Unfortunately, often such contents were never / are no longer ‘physically’ assessable to the public.

And because of old printed paper qualities are endangered to lose their contents forever. Our titles are at least substitute media and in this way are helpful to avoid such loss with information and knowledge.